Siloé returned to Seville on Wednesday December 17 to perform at the Cartuja CITE Center as part of the Insólito Sevilla cycle, an evening that showed once again why the trio from Valladolid has established itself as one of the essential names in the … Spanish independent. With a history spanning more than a decade and a live performance that has become a benchmark, the group offered an intense and moving concert. deeply connected with the public. The evening began unconventionally with “The Truth.” Fito Robles appeared among the participants and climbed onto the sound table located in the middle of the track, a gesture already expected by the most loyal supporters, who gathered not to miss any detail of this first close contact. The song was performed acoustically, generating an intimate atmosphere that would later contrast with the power of the full format. Initial surprise grew when Robles addressed the audience with some emotional words, recalling the nervousness they still feel when performing on special stages and calling for the involvement of those in attendance to “break the Carthusian vow of silence.” Next come “Sangre” and “Si te putes de mi parte”, also in acoustic format, retaining this almost confessional first section.
After a brief visual transition to the main stage, which gave the singer time to return, the concert fully entered its most expansive version. “Blood in the Veins,” “If You Need Me, Call Me” and “Pray for Me” sparked euphoria in the Cartuja Center, with the audience jumping and chanting every chorus. The connection between the group and the audience was total, reaffirming this feeling of collective communion that Siloé achieves at each of its concerts. The directory new songs combined with subjects already essential to his career. ‘The Words’, the single that marks the start of their new creative stage, found an immediate response, while ‘The opposition’ confirmed its status as an anthem, leaving many speechless. The pace did not slow down with the medley of “Génisis” and “Esa Estrella”, the latter being one of the most sung of the evening.
The concert saw a brief respite with a costume change from Fito Robles, used by Jaco Betanzos to deliver a drum solo that further lifted the audience’s spirits. Returning to the stage, the group focused on its most recent compositions with “Campo Grande”, dedicated to the most loyal followers, and “El poder”, showing the artistic evolution that culminated with works like “Santa Trinidad” (2023). One of the most unexpected moments came with “Súbeme al cielo”, when the influencer Adrian Pino He took the stage after a previous exchange on social networks. Far from remaining an anecdote, he defended the issue with solvency, something that Robles himself admitted to the public. After the presentation of the team accompanying the group on this tour, came “Invisible”, dedicated to the children present in the room, offering one of the most moving moments of the concert.
siloé during his concert in Seville
The surprise continued with “Nothing that looks like you”, performed with Dani del Lío, DJ and friend of the group, who brought a more electronic nuance by waving the flag of Castilla y León. With the phrase “we have to turn this place into a festival, see you soon”, the band once again quickened the pulse of the night with “Levítame”, “Ven” and “La vida que me give”, provoking a particularly intense response in the front rows. Down the stretch, Robles asked the audience in the stands to stand and raise their hands to accompany “The Fog,” creating an imposing image of the entire audience standing. The last hits came with “Que merci la pena” and “All the kisses,” putting the finishing touches on a concert in which no one sat still or kept their voice down. Siloé once again demonstrated at the Cartuja Center that her live performance is much more than a concert: it is an experience to live, full of energy, emotion and truth, which clearly explains the reason for its constant growth and the unwavering loyalty of its audience.
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