The penate rats, just like the ratios penades or ratios pinyades (which are precisely those which are written together, where they both unite or separate a guide, and where they are separated), will say winged rates; also se’n diuen muricecs, which flies dir mouselins cecs. With Emili Tarré in the book Pinyad rates (1911), in our latitudes there are many different species: the petitea ferradura, the poilu, the orelluda, the rogeta rat or pinyada de paret, the boqueruda… These are more futuristic mammals, and they are the only ones, apart from monkeys and humans, which have the udders in the thoracic and not abdominal region.
When I dedicated myself, jo, to doing translations for the editions of Tres i Quatre, we had to have a strong relationship with someone who worked for him, Emili Payà, who lived in the city of Valencia and one day he was going to tell that in his apartment, in the box at the bottom of the window, the whip of the damned blind of the finestra was lost. install some rate penalties, and panejaven per house. I remember my arrival, by philosopher Thomas Nagel, article What’s it like to smell like a house rat? (1974). Friend Emili had to experience what Nagel said: “Finally, I fully feel the benefits of philosophical reflection, who spent a moment in a lloc tancat with a moment of sadness, excited to know what trobar-se is with a fundamentally foreign way of life. I analyzed Thomas Nagel’s writing thanks to Elvira Prado-Fabregat, who supported it. Fosca nature (Barcino), a great book on the relationships of Solitudeby Víctor Català, with non-Catalan literature, with our ways of seeing and seeing nature and many other things. I can’t say that this Nagel, after philosophically approaching the subject of how to be a penat rat, came to the conclusion that he had no idea.
The contista, novelist and composer ETA Hoffmann is a tale, The deserted house (from 1816), after having established the differences between the one who is only strange and the one who is merevellós, puts in the mouth of some of the characters something which seems new or completely new: “that the men who have the prophetic have the intuition that it is merevellós in fan the effect Of these rats-penats als quals the savi anatomist Spallanzani has discovered a six felt not only substitute, more murri, of all the others, but thinner and earlier so that the remaining ones send their prisoners together. Another German narrator, specialist in esoteric supernatural mysteries, Gustav Meyrink (1868-1932), in the tale. The house in the bottle There was a princess, in a masked ball at an oriental court, disguised as a penjat rat from cap per aval, which was difficult to imagine whatever the disguise and who performed it. Meyrink tea with tales that are gods Ratpénatsbut not it arrived.
In our countries, penate rats, muricecs and pinyads are very present. In a rhythmic prose poem by Víctor Català (desinterrat de Narcís Garolera al llibre LiterallyVienna) he provides “the rat-penats, disbursed with resolis d’ombra per solcar els spais, silent and erratic, in the darkest hours, between two illustrious people”. In an unpublished poem by my father, from a 1942 book diu Skull and that one day we will try to publish it, there are two lines: “The rètol luminós fa l’ullet a les spleen pinyades / and the vigilant marks the rhythm of time which does not pass”.
The most impressive mural is Carner’s Creació del Poem, which appears to have depicted the world’s first landscape.
outdoor Magic Domini From Vinyoli, there is the poem ‘Campanes al vespre’, in which it is not the muricecs who are aletegen dintre de la nit, it is that it is the nit, all that, where he continued, the tot, who makes this flapeig: “Puja una veu a l’hora del capvespre / communicating death. – Huh! Of life, / someone answers? – The nit és a skirt? / Feresa fa: tot shuttereja, quick / muricec sol tinc ja les engrunes / de pa mullat dels mots;
The most impressive mural I know, however, is Carner’s “Creation of the Poem”, which seems to have depicted the world’s first landscape, in which it brings to life the day of the origin of life, in which it allows us to feel nature and experience Neixer’s metaphysical sensation, and I believe the first animal of all was the muricec. “It was the beginning that began,” he said, just from the end, which he did not dream of explaining; If you have “Creation of the poem” at the close, find it immediately.
Contrasted with this poem carnerià del Néixer, al Free from death (1898). In a poem, when the món is an estesa of skeletons “more atapeïts and espessos” than a plague of llagostes: “None has touched the earth. Death cavalcava the bone of a cavall ambales of rat-penat.
There is also the “Feta Poetry about having an intervention in the torment of throwing a rat-pinyada in the jib”, which is one of the Romances of Dragoli by Joan Brossa: “Molts diuen que, la seva ombra, / el deiable la serrà. »
Muricec per nosaltres has no vampiric connotation (Menja mosques); my friends and friends consider animals good averany, gifts for example to Gitana Roc by Dolors Miquel, at the meva Raspall Square or to the first poem of Llibrot by Jordi Pope, who shares honors with another totemic animal of our culture, the garota; the poem is diu ‘Ous’ and in the anacolútic Gairebé style of the Pope diu: “The moc sucós of the Clara from which passed through the ends of the agulles of the garotes, between the grimes of the somniadors muricecs, formed the entrance of the nostra conscience. / They perforen amb els prolongats movements of their punxes, in small doses, the arrelam of the mòria / They muricecs ens fan la trouita.
Les tenim et escuts, et ho diu Llorens i Jordana: “Our imperial eagle is the rat-penate. »
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