It will open on December 2 Arthouse (Bartolomé Miter 434) “Exposed Fracture” and “Going with the Flow”. The first, located in Room 1, is a curated group exhibition Sylvia Gorvin Which brings together artists: Gala Altamari, Eugenia Bracconi, Mara Cavarone, Yoyo Gardiol, Carla Grönauer, Delfina Lederhoff.
For Gurvin, “In the society of the spectacle, intimacy has been transformed into a public exhibition, into something else to be consumed and presented for consumption. What happens when the self and subjectivity are constructed through vision and outward appearance?” What can be of significance for artistic production, anyway, in relation to that subjectivity?“.
With these questions, Gurvin chose the works in which he was carried out “The intimacy that emerges is not of the vanity kind. Nor from complacency.” “Flattery is a word that creates Lacan This can shed light on one aspect of these ideas. His student J.A. says: Miller: Extremism is the closest, the most internal, without ceasing to be external.
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“Intimacy is a fundamental break in an intimate relationship. To expose intimacy is also to expose the fracture that makes it up. There is no complete cohesion there, and intimacy is not a homogeneous matter. In the process of correspondence between inner and outer, in that movement, something is lost and something is achieved. “This exhibition shows the things that have crossed that line and reveals what those things hold in doing so.”
Play along
It is served in room 2 “Go with the Flow” installation by Eugenia Calvo Sponsored Sebastian Vidal Makinson Which was previously exhibited in the same place and says: “Following the Flow constitutes a pivotal exhibition in Eugenia Calvo’s artistic practice (Rosario, 1976). It is An immersive installation that expresses a point of view located before the moment of radical change in which we participate And witnesses, by incorporating new processes that generate a spiritual atmosphere characterized by humour, tenderness and awe.”
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“Unexpectedly, antiques, chairs, clothes, bedding and bags were found Making bodies appear composed, clothed, and connected to each other, suggests new alliances that respond not to the logic of what is useful, but to the possibility of transformation. “They are bodies that come into the world and collect things from the local universe, from proximity,” details the curatorial text.
In this scene things seem to have a life of their own, their own way of affecting and changing, revealing an area where the mundane is connected to the spiritual. “In an age marked by a crisis of meaning,” Makinson concludes, “Calvo acts as a mediator of those forces inherent in matter and its drive for transformation, experimenting with another way of living in the present and thinking about the future.”
Both exhibitions can be viewed until February 15, 2026, with free admission from Tuesday to Sunday from 1:00 p.m. Until 8:00 pm
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