The latest tribute to Pucarina flower has launched a number of projects aimed at extending his legacy beyond the stage. The producer and director Julian Zucchi announced that after the success of the show, the production of a film about the life of the “Pharaona del Cantar Huanca” as well as a tour of various cities in the country and the possibility of repeating the performance are being considered lime.
These initiatives arise in response to the great public demand and interest of different regions and consolidate the cultural influence of the artist and Andean music. On the night of the honor more than 4000 people They gathered to witness an event that marked a milestone in the country’s collective memory.
The artificial intelligence-based show enabled the voice and image of Pucarina flower They returned to the stage in a format unprecedented in Peru, accompanied by a live orchestra and a technical and artistic proposal that was celebrated from start to finish. The emotions captured both the audience and the invited artists, among whom they stood out Amaranta, Ruby Palomino And Beautiful rose.
The visibly moved singer Amaranta burst into tears when she saw Flor Pucarina “present” on stage, starring in one of the most intense moments of the evening, proving the deep emotional bond that the artist’s legacy continues to produce.
The tribute brought together artists who recognized Flor Pucarina’s importance as a pioneer of a historically masculine genre and highlighted her voice as a symbol of identity, struggle and sensitivity. The production, which combined technology, art and popular feeling, was received with respect and enthusiasm by an audience that arrived early, stayed for hours and attended every moment of the show.
Julián Zucchi expressed satisfaction with the response received: “I am very happy and grateful. Seeing people arrive so early, stay for so many hours and look forward to this show was very special. This genre, which is so ours and so Peruvian, deserves to continue to grow and be presented not only nationally but also internationally.” commented the actor and producer.
The producer emphasized that the success of the concert went beyond the stage and opened new opportunities for the dissemination of Andean music and Peruvian culture.
Zucchi also highlighted the potential of bringing Flor Pucarina’s story to the cinema and continuing to present the show in other cities: “Representing her story in the cinema opens a new universe, and the continuation of this show in more cities confirms that our culture deserves recognition and celebration. When we come together, we can achieve great things,” said the Argentine actor.
The tribute not only honored the figure of an eternal artist, but also reaffirmed the validity of Andean music, the value of cultural identity and the strength of collective work as engines for the development of projects of national and international importance.
The return of Flor Pucarina through artificial intelligence is an unprecedented event in Peruvian music and Andean culture. Thanks to technology and under the leadership of Julián Zucchi, the legendary singer was digitally “resurrected” for a unique show on December 14th at the Santa Rosa Complex. This tribute allowed the public to hear and see Flor Pucarina againwith digitally recreated voice and image, accompanied by live orchestras and guest artists.
The project stood out for its innovation: it was not just short digital interventions, but a complete concert in which Flor Pucarina’s original voice was digitally cloned so that she could “speak and interact” on stage.
According to Zucchi, the initiative aimed to bring the artist’s legacy to new generations and position Peru at the international technological forefront. Flor Pucarina’s family supported the project, which coincided with the The artist’s 90th birthday in 2024.
Pucarina flower, born as Leonor Chávez Rojas in 1935is an icon of Andean music and a symbol of resistance and rebellion. Her discography includes huaynos, huaylarsh and mulizas that express pain and struggle, such as “Airampito,” “Tú nomás tiene la culpa,” and “Sola siempre sola.” He died in 1987but his legacy remains valid and his digital return was an act of remembrance and collective celebration.
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