The first season of the series The great illusion It will debut on TV3 in 2019. It covers the ends of each fifty of the second Passat. The most responsible are Àlex Gorina and Esteve Riambau. The whole project had 14 episodes, but it is not finished yet. Ara, almost all, if the second season does not start, over six chapters, a few have predicted. The series deserves to be finished, I can’t wait to lose testimonials. Generally, it ends within a month of five years. The first season will also end in a dispute between TV3 and those responsible for the series. The channel will program the first chapter of prime timethe rest of the episodes, after broadcasting to the public, will move to completely secondary channels. Those responsible for the film certainly did not think that a series on the history of cinema could receive a good reception. But the first chapter will have a good audience. Regardless, TV3 will keep you punished in awkward spots and locations. The premiere of this second season, which ends on the 8th, will also have good results: 218,000 viewers and 11.7% market share. A 3Cat already hello ha penjats tots els capítols.
Gorina and Riambau will consider, llavors, that this is menystenia in feina seva and will dismiss irrevocably. This second season is directed by Luis Salgado, who had been Cinema 3Mai Balaguer, who worked in the first season, is responsible for “creative supervision”, following the 3Cat office. Ara, Àlex Gorina appears with the author of the “original idea”. There was also an interview with the director of a stage of the Sitges Festival.
The series always has a certain subtitle: Intermittent reporting on Catalan cinema. The following season remains the same, and the intermittency is obvious. All this has been going on for decades, when it evokes a theme, that of horror cinema, which can be addressed by a production company Fantasy Factory (created at the same time by Julio Fernández, recently deceased) and evokes the existence of numerous Profilmes. The series is constructed from thematic or biographical illustrations, often accurate, with a certain academic petulance — there are titles with Tothom in the drivers I good resources all·lusius—, sees that of an irregular membership. Hi, there are uneven measurements, with the dedication to Pere Portabella, pitch, to Ventura Pons, width for comparison. Understand, for example, that hi hagi minutes dedicated to denying the story because of which the producer Josep Antoni Pérez Giner reflected on the “innumerable” reason why, in fact, he was unlucky. This episode, as it happens, also included a recognition of feina seva. For determined spectators, they will lead to a new discovery than any set of public tours in Céret or Perpiny to some censored cinema in Spain or the emergence of a school in Barcelona, as well as to an aesthetic beauty, in a hermeticism, which would confront the realism of the new Spanish cinema.
Hello, there is a huge parade of names of their own, most of them male, through no fault of the authors of the series sinó of a masculinized industrial reality. The series highlights most of the discrepancies that will exist in the context of cinema at the Congress of Catalan Culture of 1977, in the conclusions presented due to irreconcilable definitions of what cinema is in Catalonia: what is in Catalonia or what has elements of national production, in the Parli language that I spoke. The series, logically, does not ignore the abundant cinema available at the castella.
The great illusion It also ends a look at a particularly optimistic future, which was not discussed. In any case, it makes a good contribution to the history of Catalan cinema: documenting a century-old passage and nourishing the memory in a catchy way, in addition to an evocative force. I come back to José Luis Guerín’s series on what is in cinema: dreaming of shadows, capturing fleeting moments.
About The Author
