
On the night of Martín Fierro from the cinema and series 2025The first homage was to one of the most important films of the 21st century. The moment this special moment begins, Andrea Pietra And Esteban Lamothe They took the stage to present the award: “nine queens It was a milestone in Argentine cinema and the consecration of its director, Fabian BielinksyThen Lamothe added: “It was the highest-grossing Argentine film in a decade. Tribute to below.” Nine queens“.
So began a clip with some of the most significant scenes of this film, while a voice-over highlighted: “The idea of debutant Fabián Bielinsky flew in an Argentina without wings. It marked a before and after in the national thriller, it exposed disloyalty and betrayal in a country in economic crisis.”
Finally, Leticia Bredice And Gaston Pauls They went on stage to receive the Martín Fierro for the 25 years of the film in which they starred together with Ricardo Darín. Brédice was particularly pleased with the recognition and highlighted the time that has passed since the filming of this outstanding piece of local cinematography, while Pauls reflected: “There is something beautiful and sad at the same time that always happens.” nine queens. It always has a bittersweet taste because Fabi is not there, but Fabi is there. Each of us who knew Fabián knows his worth and what he did. So for his family, this recognition, and as Ricardo would say: “More than ever in this world there is no shortage of shit, what is missing is financiers.” So if there are donors, we will jump into the cinema.”
It was only a few minutes before 10 o’clock in the evening when Rodolfo Ranni performed on the Usina del Arte stage. “One day a woman became pregnant, and in the seventh month she began to feel something moving inside her, but in a certain way, without hitting, without heels hitting, but perhaps strangely. And she said, ‘This woman is going to be an actress.’ She was born different and walked different, acted different, and her mother said, ‘This woman is going to be an actress!’ She grew up, she was an actress at school, with her friends, as a teenager she was an actress, she continued to grow and became a great actress, a great person. She continued to grow in every way, as an actress and as a person. She’s a great colleague, we’ve worked together, we’re doing theater together at the moment. This is a tribute and it is an honor to present it Marta Gonzálezsaid the actor.
Next, the screen projected a compilation of the major feature films in which González appeared, including: Abasto Market, Painted Boquitas, El Pibe Cabeza, The war boys And The Pig War. And immediately afterwards the actress came onto the stage, visibly moved. With tears of emotion and applause from everyone present, Marta said: “This is the greatest reward I have: the affection I feel from my colleagues. There is no better price than this. I grew up here and when they talk badly about the environment, I get very upset because the environment is also my family.” Next, Luis Ventura, in his role as president of Aptra, approached the actress to give her the statuette, while the cheers dedicated to the interpreter increased.
The purpose of the third honor was to celebrate Waiting for the swimmer. The remembered feature film Alejandro Doria turns forty, and the section of the evening dedicated to this film began with the imitation of Ariel showman embodies Mama Cora, the mythical figure who made immortal Antonio Gasalla. After a few short words and a reminder of the film’s protagonists, a clip began that highlighted the importance of this piece in the context of Argentine culture and the inescapable legacy of this story, which portrayed a typical Argentine middle-class family from the 1980s.