Robot theater by a robot | Theater

Gabriel Calderón (Montevideo, 43 years old) is Uruguay, but every day is a new month. The relationship between Catalonia and Luny, in both Story of a Senglar (Ricard’s Something) I will achieve great success in public criticism, I will arrive at the end of the entire Avinyó Festival. Ara has just launched a text calderonià per double match: because there are even many references to Calderón de la Barca and because he wrote the companion. Calderon squared.

THERE! Misery will make us happy takes place in a future in which actors are replaced by robots and in which artificial intelligence must replace the majority of human beings. Three actors become directors who have survived the soterrani of the theater: the feina seva consists of burning and erasing the robots and checking that everything is working. Gabriel Calderón has written a hilarious, metatheatrical comedy, a dystopia that imagines a future in which human emotions can only be regulated and healed, something that converts humans into programmable machines. The arrival of a young person acted in several ways in the theater which disrupted the routine of the actors’ quests, condemning them to a period of tramoists.

The cast is an authentic luxury: Pere Arquillué, Joan Carreras and Laura Conejero combine the resignation of a theater that no longer exists, as well as a functional spirit that makes them hope for joy. Daniela Brown is the young woman who fills his heart and soul: who allows him to enter the world of theater. Sound of a sci-fi comedy, in the text it was very quick and fast on Calderon’s part, transforming his actors into characters from two animated characters. Joan Carreras is spectacular in her role as an actress overexcited by emotional regulators (including her own gesture and none of them are hyperactive) and Laura Conejero’s monologue is of a magnitude that is a wonderful thing. Daniela Brown is victorious in the fight against three monsters, and Pere Arquillué is just a bomb in a comic strip that we haven’t gotten used to.

In just one month on these robots, every day more humans and these humans assemble more robots every day, the questions that call Calderón (de la Barca) and our current Calderón cannot be more relevant. The fact is that, despite all these technological advances, they continue to live in the great theater of the world.