The Australian Russell Crowe reflects current social dilemmas and the difficulty of learning from collective mistakes, both in art and in life. The actor is on the cover of issue 103 of The rake and in an exclusive interview with Tom Chamberlin, he analyzes the themes that shaped his professional and personal career.
From art and human morality to the challenge of interpreting complex historical figures like Hermann Göring in recent drama NurembergCrowe also reveals lesser-known aspects, such as his connection to nature and his passion for sports.
Opening the virtual talk, which came a day after a trip from Los Angeles to Sydney, Crowe acknowledged the difficulty of balancing multiple projects with international travel.
“I had to force myself out of jet lag to be hereCrowe explained The rake. Despite his tiredness, his speech maintains intensity and allows the interviewer to discuss personal and professional topics in depth.
The conversation takes on a more intimate tone as he discusses his life outside of Hollywood, particularly his reforestation project on his Australian estate, which began in 1996. Crowe explains that his connection to the land comes from memories of visiting family and a desire to find an authentic place.
“I call it the ‘panacea’; it cures everything. But you have to surrender to it,” the actor said The rake. After planting 36,000 trees in 25 years, he believes that the Agricultural life is an essential antidote to noise and urban demandsa perspective he shares as an invitation to reconnect with what matters.
Crowe discusses the competitive spirit that shaped his character and recalls his childhood at his father’s pub in Los Angeles County. South Sydney Rabbitohs. Weekends were characterized by sporting rivalry and, as he says, “I grew up in a divided home,” which created family differences based on support for different teams.
To the interviewer’s anecdote about English cricket, Crowe responds firmly: “No, you have to celebrate. That’s the difference between Australian and English cricket: make it clear to this man that his wicket, his life, has been lost and that he must go now.”
“I’m a real terror when I take part in any sport. I will look you in the eyes and try to mentally crush you. But when the game is over, I become a fun person to share the aftermath with, whether I win or lose,” he added.
The conversation expands as Crowe discusses the concept of progress and humanity’s tendency to repeat mistakes, a consideration that loud The rakeLinks to his role in Nuremberg.
The actor claims that cinema serves to examine the creation and destruction of social systems and their capacity for corruption. About the film he says: “People say the film is contemporary, but if it had been made ten years ago it would still be contemporary. And in ten years it would be contemporary too. That’s what it’s about.”
Crowe discusses the challenge of playing Goering and emphasizes the importance of avoiding oversimplification when playing a villain. “When playing a “villain,” the worst thing you can do is play a single note. With Göring, the music consists of big, chaotic chords, both hands on the keyboard.”
For Crowe, exploring the character’s contradictions – from his rise from a mediocre student to a leading figure at the military school to his development as a flying ace and political actor – is crucial to conveying the complexities of evil.
“None of this justifies anything… It’s just more complex than people understand,” Crowe stressed The rake the ethical responsibility of an actor when portraying historical figures, who are usually portrayed in an explicit way.
The feature film focused on the trials of Nuremberg and distributed in the UK by Sky UKFor Crowe, it is the result of five years of research and an extensive documentation process.
The actor emphasizes the importance of faithfully portraying the key moments of the trial: “Historically, we owe it to the audience“, emphasized Crowe, alluding to the scene in which the American prosecutor hesitates while the Englishman Sir David Maxwell-Fyfe manages to dismantle Göring’s arguments and reveal the extent of his ego.
At the end of the conversation with The rakeCrowe argued that Nuremberg It shows the validity of moral dilemmas and the difficulty of learning from the past when human contradictions are not confronted.
The actor emphasized this Stories of good, evil, power and corruption continue to challenge every generationThis shows that its relevance transcends any historical period.
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