Several programs are heading towards decline in 2025. The best example is “The Farm”. Conflict fuels realities, but management relaxed the limits, which made the game intoxicated. The fun was lost. Record weighed in on the news and explored in depth the Vitória case (young woman killed in Cajamar). In “Balanço geral RJ” there were several depressing moments for presenter Tino Junior.
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SBT also lowered the bar by saving “Casos de Família” and “Aqui agora”. The channel continued to invest in sensationalism with “Alô Você” and “Primeiro impacto”. And the infinite and sudden changes of the grid were disrespectful to the viewer.
If “A Fazenda” abused violence, “BBB” frustrated it for another reason: it was cold. The “Open to the public” was awkward. In “Vale tudo”, in addition to poorly developed plots, there were a thousand questionable changes from the original plot. The protagonist, Raquel, ended up being erased. In the vertical soap operas, the storylines and performances of Jade Picon and Gustavo Mioto left something to be desired.
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The band tried, but couldn’t save “Best of the Night” from fiasco. RedeTV!, always bad, launched two embarrassing attractions, “Para aqui!” », by João Kléber, and “Bola na rede”. In streaming, the endings of “Round 6” (Netflix) and “And Just Like That” (HBO Max) disappointed. Subscribers continued to encounter incomplete seasons and the absence of dubbing and subtitles. May this be behind us in 2026.
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In “A Fazenda 17”, the participants exchanged physical attacks and insults. Result: four expulsions and a deplorable spectacle. The editing work was sloppy and the 24-hour broadcast on Record Plus remained terrible.
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SBT decided to bring back “Casos de Família” and “Aqui agora”. In the Christina Rocha-led attraction, people slap each other on stage, while others laugh. Journalism is also a horror show.
Gustavo Mioto in a vertical soap opera
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Gustavo Mioto starred in a vertical soap opera Globoplay even without experience. Jade Picon had a hard time in “Everything for a Second Chance”, on the Globo networks. Moving plots don’t have to mean poor quality.
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The humor “Open to the public” created two series of very weak episodes on Globo. The essential thing was missing: grace. The presenters laugh uncontrollably at their failed jokes, and the challenges offered to the guests are childish.
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