The historical journey of Argentinian rock includes places that go unnoticed at first glance in the urban landscape of Buenos Aires. Including, Maipu 365 It is one of the most representative examples. An address that experienced the coexistence of different musical generations such as Aníbal Troilo and Soda Stereo. and this reflects that the city has been the scene of profound changes in popular culture.
Music historians agree that exchange between genres was one of the factors strengthened the identity of local rock. In these unexpected overlaps emerged part of the sound that would shape the new bands that emerged on the Buenos Aires scene.
Maipú 365 occupies a central place in this story. Its basement served first as a cabaret, then as a dance hall, later as a place for artistic experiments and finally as a meeting place for groups fundamental to the consolidation of rock in Spanish.
The company opened in 1935 and operated under this name Marabu cabaret and it quickly established itself as one of the most prestigious stages of Argentine tango. He made his debut there Anibal Troiloa central figure of the genre, along with his typical orchestra.
This first stage marked a period of splendor that made the basement an undisputed reference point for musicians, dancers and the public of Buenos Aires.
The location played a leading role for more than three decades in the tango circuit. After its closure in 1968remained inactive for several years until a completely different phase began in the early 1980s. Buenos Aires was experiencing a period of cultural change and the cabaret, now converted into a nightclub, tried to adapt to a new generation of audiences.
This is the time Maipú 365 opened for Argentine rock. With the organization of the so-called “Marabou Carnival“The space included young bands looking for stages to present their first songs. This mixed format allowed traditional proposals to coexist with emerging groups, thus creating an unprecedented bridge between the history of tango and rock.
In March 1984 one of the most memorable meetings took place. Soda stereoat that time an up-and-coming band that was just beginning to show its artistic identity, He took part in a weekend where he shared the bill with Los Abuelos de la Nada, Los Twist and Virus.
The space’s reopening in 1994 under a different name preserved some of its memory, although its use continued to vary over the years. However, the legacy of Troilus and the bands of the eighties to the Maipú 365 location at one of the most unique points on the musical map of Buenos Aires.
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