The second edition of The Martín Fierro of cinema and series took place this Monday, December 8th, at art factory, Where APTRA honored the most outstanding productions of the year in the field of fiction and national cinema. The ceremony brought together directors, actors, musicians and industry leaders for a gala that brought together emotions, recognition speeches and key moments for the Argentine audiovisual sector.
Martín Fierro de Cine y Series 2025: the complete list of all the winners
In the competitive area “The Woman in the Line” took that Martin Fierro de Oro in the cinema and “The Eternaut” swept the main series categories. But before the first winner was announced, the conversation had already turned to the looks: a catwalk where the classic, the experimental and the symbolic coexist.
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The effect of red: the story of triumph
Natalia Oreiro, As the undisputed protagonist, she chose a red dress with clean lines and a figure-hugging silhouette, evoking exactly the elegance usually seen on the red carpets of international awards. Subtle draping at the waist brought movement to a design that requires no art to stand out. Her XL braid completed a look that balanced celebrity, maturity and sophistication.
In a completely different register, Maria Becerra took red to the conceptual extreme: a black dress with cutouts and transparency, accompanied by bright fringes that caught the light of the cameras. Her style – with a futuristic twist – confirmed her as a figure who not only triumphs in music but also understands the value of fashion as an extension of her identity.
Griselda Siciliani, one of the big winners “Envious”She opted for a satin red midi dress with wide sleeves that regained cinematic glamor without falling into rigidity. The choice conveyed authority and prominence, but also a feeling of closeness that few artists master at this type of event.
Martín Fierro from cinema and series 2025: Natalia Oreiro and El Eternauta won gold in a historic gala
Refined masculinities: new codes for the red carpet
Benjamin Vicuna opted for a fitted suit without a tie, a decision that is in keeping with the global trend for relaxed elegance seen at events like this SAG Awards or the Cannes Festival. It was a minimal but effective intervention: less formality, more style.
Juan Minujin, In a riskier twist, he wore a white jacket without a shirt, paired with black pants. This contrast between formality and elaborate nudity – a common resource in European fashion editorials – made it one of the most talked-about looks.
Women reinterpreting Argentine glamour
Valentina Zenere She made a bold gesture with a red dress with long sleeves and a short leather skirt. The almost sculptural structure inserted her into the discussion of pop aesthetics and digital modernity, two areas in which the actress moves naturally.
Leticia Bredice She embodied theatricality: a black dress, a white cape and long gloves that were reminiscent of classic Hollywood but with a contemporary interpretation. His performance summed up the truth of the Argentine spectacle: some characters don’t parade, they perform.
Maite LanataIn keeping with a sophisticated gothic aesthetic, she chose a black and white dress that combined straight lines with subtle textile work. His appearance provided a chromatic and conceptual contrast that enriched the visual narrative of the red carpet and reminded us that style can also be built from sobriety and personal identity.
Cheaters, contrasts and personal styles
In a symbolic twist, Teté Coustarot wore a cape designed by Benito Fernández with historical posters from the national cinema. Below, an aquamarine jumpsuit completed a look that not only dressed the host but also paid textile homage to collective memory.
Luciano Cáceres, auto debutant, wore a tuxedo with embroidery on the front that added structure and brightness. It was a distinctive design that highlighted classic formality without destroying it.
Tigress Acuna Opting for a black sheer dress, she showed off a glamorous side that surprised audiences and added layers to her own public narrative, which is more associated with strength than style.
Sabrina Rojas opted for a pink strapless peplum model that echoes the “modern princess” aesthetic, a trend present on the catwalks in New York and Milan, with a soft and romantic approach.
With a red carpet that combined intense red, transparency and signature designs, The Martín Fierro of cinema and series 2025 They affirmed the growing importance of fashion in the Argentine audiovisual ecosystem. The diversity of styles, the presence of key personalities and the commitment to more sophisticated aesthetic narratives made this event an important showcase for measuring trends and observing how the industry’s visual identity is evolving.
LV
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