Xuxa Meneghel took advantage of his participation in the special New Year’s broadcast of the Silvio Santos Program, broadcast last Sunday (12/28), to speak openly about rumors and criticism who have followed its trajectory over the years. In a conversation with Patrícia Abravanel, the presenter commented on the impact of fake news on the lives of public figures and refuted old rumors that were circulating again on social networks.
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Xuxa denies any deal with the devil and refutes accusations of pedophilia in iconic film: “I’m even sorry, it’s stupid” #ProgramaSilvioSantos pic.twitter.com/CcBdsnik8J
–Lucas (@LucGS0) December 28, 2025
Regarding the spread of fake news, Xuxa said he feels compassion for those who believe unverified information. “I’m even sorry,” he said, emphasizing the ease with which misleading content is shared.
The artist also drew attention to the importance of verifying facts before transmitting them. “Today there is fake news. People publish it before checking, before seeing if it is true or not. It’s amazing how many people believe it,” he said.
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Supposedly refused pact
During the interview, the presenter explained that she has always embraced transparency as a way to deal with attacks and judgments. According to her, keeping the truth is essential to overcome situations like this. “Whoever tells the truth does not deserve to be punished. I have always been very transparent and I continue to be,” he said.
The theme of the supposed pact with the devil, often associated with his career, was also raised. Xuxa mocked the accusations and reaffirmed his Catholic faith when commenting on the subject. “People say I have a pact, but how can I have a pact with the one below who has everything good in my life? It has to be with the one above,” he said, adding: “I even feel sorry for those who believe in these things.”
Finally, the artist spoke about the criticisms addressed to old works and considered that many judgments come from those who do not want to understand the content of the productions. For her, there is a lack of interest in analyzing the context and message of the works. “People don’t have the luxury of seeing, understanding, talking about the subject. They prefer to label without knowing,” he concluded.
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