James Cameron is back, and he brings a flamethrower: he plans to ignite theaters around the world with the premiere of the third part of Avatar, Fire and Ash. To date, its two predecessors are the first and third highest-grossing films in cinema history (the fourth, by the way, is Titanic). Avatar: Fire and Ash will be on billboards in Spain from this moment on December 19 until surely there will be no census in our country without having seen it.
With sequels already on the way, James Cameron seems determined to be buried among the na’vi. The creation and creation of the world of Pandora have been his concerns for years and perhaps the director of Titanic And Terminator In fact, he wants to be remembered as the man who filmed Avatar. If you are a lover of the blue creatures saga, you have the medium length film on Disney+ Fire and Water: How the Avatar Movies Were Madetwo episodes, on the composition of Pandora and its surroundings.
What is “Fire and Water” about?
In Fire and Water: How the Avatar Movies Were Made, Thomas C. Grane meets James Cameron to reveal each of the franchise’s secrets. If you’re wondering who Thomas C. Grane, director of fire and wateryou will be surprised to discover the journey of this producer and filmmaker: with a few exceptions, his entire filmography (and it’s not short) It consists of documentaries such as fire and water.
One of the first addresses the realization of pride Commitments by Alan Parker, and from there Thomas C. Grane jumped from “Making of” to “Making of” until he reached Avatar (to whom I had already dedicated the series In Pandora’s box).
In fact, what may have brought him closer to James Cameron may have been his previous contact about the Titanic, about which he made two documentaries: Titanic: 20 years later with James Cameron (available on Disney+) and Titanic: 25 years later with James CameronAn additional 44 minutes that Crane assumed would be full of new information in those five years between the first and second documentary. So if the saga of Avatar is still alive, Thomas C. Grane has his future assured: with at least one documentary per film, he will more than pay the mortgage on his house.
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