On November 8, Buenos Aires became a scene from a futuristic movie. Polo and breadthe French duo that renewed global electronics with its dreamy and elegant aesthetics, at a party C media art With tickets sold out completely. For nearly two hours, they presented a show that combined music, design and visual narrative in an immersive experience that broke the logic of a traditional DJ set.
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From the beginning there was a different atmosphere. Outside the main entrance, the line mixed printed T-shirts, glitter, round glasses, and pastel colors. The aesthetics of the audience served as a prelude to what would happen on stage, a show in which music and design coexisted as a single language. The audience included music lovers, visual culture lovers, and young people who discovered the duo on social media, especially on the TikTok application, where “Canopy” and “Annie Cooney” They’ve gone viral.
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At 9:10 p.m., with the room completely dark, he began playing “Piano and Violin” and a beam of white light traced the silhouette of the duo. Paul Armand Delille (Polo) and Alexander Greenspan The Pan appeared behind an all-white console, with no visible cables. No explosions or drops. The entrance was silent, cinematic, measured. The audience responded with continuous screaming, marking the beginning of the sensory journey.
The visual display was far from the overload of stimuli that electronics typically resort to. Instead of saturated screens, geometric shapes, pastel colors and clips inspired by mid-20th century French modernism are used. The aesthetic refers to an imagined future from the past, as if someone decided to invent a nightclub within a 1955 movie.
The biggest surprise was participation Zoe MadimiShe is a French-Algerian singer who the duo recently added to their tour after seeing them at a European festival. Zoe was present at stages such as We love the Green and Montreux Jazz Festival. She radiates a magnetic presence, moves with simplicity, sings delicately and adds a performative element that heightens the aesthetic sensuality of the show. “We are thrilled to welcome Zoe to the P&P family. We were blown away by her energy and voice from minute one,” they said online ahead of the tour. In Buenos Aires, every time Zoe appears, the track transforms into elegant trance.
Musically, the show toured albums Caravelle (2018) and 22:22 (2023), exploring a sonic identity that fuses downtempo, tropical house, synth-pop, and French chanson. Soft rhythms, hypnotic harmonies and luminous melodies create an emotional atmosphere that invites you to dance without losing your sensitivity. The first applause came with “Magic,” which transformed the venue into a gentle, contained dance floor: the audience didn’t jump, but floated.
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The turning point occurred with Dorothy, when the lights became warm and the room began to move as one body. Unusual group organization in electronic presentations. Polo & Pan isn’t looking to explode: They build the atmosphere. Electronics stop being aggressive and become cinematic.
In the middle of the concert, Polo took the microphone and spoke in Spanish: “Argentina is one of the warmest fans in the world. It is always a pleasure to come back.”. The statement unleashed applause that took some time to subside. This was not the duo’s first visit to the country, but it was the first time that Buenos Aires received them in a party of their own, without the limited form of festivals.
One of the most intimate moments was “Summer’s Almost Over”, which was performed with extreme precision. The beat was gone and only the ethereal synths remained. For a few seconds no one filmed. No one spoke. only Shared silence Among hundreds of people, breathing with the same rhythm. It’s not often that an artist of this genre achieves such silence, and therein lies part of the… Magnetism By Polo and Pan.
Finally, the atmosphere became festive. “Nana”, “Kanobi” and “Anni Kuni” – their global anthem – lit up the most emotional part of the show. The entire room chanted the slogan “Ani Kuni” with eyes closed and arms raised, transforming C Art Media into a psychedelic haven.
The communication between the artist and the audience reached its peak when Polo stopped the music to speak again. He placed his hand on his chest, looked at the audience, and said clearly affected: “You’re the best audience on the tour, I swear to my son.” (“They’re the best crowd on the tour, I swear on my son.”). then Request a photo with the audience To remember that. “Are you ready, Buenos Aires? 10…2…1…Argentina. Thank you very much.” The audience exploded with continuous applause.
Polo and Pan were in no hurry to leave the stage, and stood waving and watching the audience as if they were looking for him. Keep what is not repeated. They didn’t put on a show: they built a universe. An aesthetic capsule where electronics do not attack, but caress them.
Polo & Pan showed that you can make people dance brilliantly, and that electronic music can also be delicate, sensual and emotional. They left with certainty: Buenos Aires will be a mandatory stop In his next tours.
M.
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