Delcinio understands the image itself as a language. “I began to understand that fashion and the clothes I wore were a way to express myself and influence others,” says the singer, who decided more than a year ago to wear only Brazilian brands and pieces designed by national fashion artists. The choice, which he describes as a process of aesthetic freedom, also follows the moment when his career enters a new phase with the release of his new album “Conteúdo Sensível”. Murilo Hoff refutes accusations about using his son’s money after buying the most expensive cow in the world: “Business” Ana Castilla says goodbye to her truck worth R $ 500,000 a year after the purchase: “I will miss it” This stage reflects a journey that began early. “I realized when I was a teenager that I was good at writing love stories,” he says. From this perception and the way the audience interacted with what he was singing, the idea for the new album was born. “This album really captures the perception of what people say about me.” The idea came from exchanges that had accumulated over the years. “I always heard comments like: ‘Your music helped me get through a time like this’… So we thought: Let’s release sensitive content for people.” The creative process follows the logic of everyday observation. “It’s basically about stories I hear from people… friends, things we see, or even a movie that excites us.” In the album, these stories turn into encounters, doubts, ruptures, and searches. “The idea of this album was to take real stories, love successes or failures, encounters, searches, and turn them into music.” Delcinio describes the work as something close to shared emotional care. “It’s not a cure, but it’s therapeutic. You’ll listen and you’ll empathize with this station.” The first track on the project, “O Que Eu Do Agora?”, is available now and the album’s emotional track opens with a lyrical self trying to deal with the end of love. The music video, which was released on YouTube, uses isolation as a visual element to reinforce the feeling of maladjustment within a broken relationship. In parallel with the music, the artist reorganizes the codes of his style. “At first, I didn’t have much of an artistic identity… I started listening to people and noticing artists I admired.” The turning point came when he decided to wear only Brazilian creations, a step that expanded his references and linked his image to the cultural stock he wanted to highlight. “For more than a year, we have only been wearing Brazilian brands and fashion artists from Brazil… and it has worked very well. This has given me the freedom to wear the clothes I like and at the same time show the face of Brazil.” Offstage, it’s a search for balance. “Juggling work and personal life is one of the hardest things… My children live at different times and each demands different things.” He explains that career and family support each other. “I realize that work cannot overshadow family, and my family understands how beneficial music is to me.” Between traveling and the studio, he tries to organize his time. “I have to strike a balance… When I’m freer, I spend time with them: I take them to school, I travel, I make the most of it. It’s important not to let work swallow us up to the point of being unhappy.” Delcinio also predicts the future. “I want to have one or two more kids… but I don’t know how to expect it. Sometimes we joke about it at home.” With “Sensitive Content”, a stage begins that integrates sound, image and everyday life. The artist himself sums up this concept by saying that songs may not solve everything, but they help organize what does not yet have a name, because “some songs sound like they’re painful, but they’re actually healing.”