Prolific author of the book Contes obstinadament breus o molt breus, not always on the supposed vital disintegration and moral inertia of minimalism, which allows us to evaluate that any revision does not force the necessary consistency of the paradox – sometimes the algorithms of Ronates are compiled to the point of absurdity -, Damia Bardera (Villadamat, 1982) will be published in 2015 philadelsacthe first and only novel · The End of the Day.
Ara, at the same time, is reclaimed by La Segona Perifèria because all those who will not have it by now can exaggerate the badness of not having it – we dare to move from the everyday dementia of the narrator and hero’s condition, during a school year, to a small town where mothers, eccentricities, and mere animal cunning survive. In contrast, the city nin adapts to the destructive effectiveness of the machinery of foreign law that governs the functioning of rural society.
The few things we know about the circumstances that led the mother to flee Barcelona: we know that she “was married to a lowly, drunken clerk, who wanted to sell books to the cabasts and that she was going to spend her life lying in a public hospital room – with a flask of Larios hidden under her coccyx – waiting for the new fruit”; At the end of the novel, we learn that a member of Social Security has signed a paper on his behalf in order to access the “Father” clause, and throughout the narrative we can see that he is concerned about the child’s safety or potential misfortunes in the new home, unable to see the possibility that we might fall into the temptation of ensalvatgir-se, as if it were a clear victory. Life on the plots of La Reis or Anguixa despite the negativity touched by the psychiatrist who witnessed him in his harsh behavior.
to philadelsac It is also beautiful that Bardera builds walls of humor to contain what is said to be emotional, so much so that the meaning of “humor” would be more precise if we took into account the benign face of cruelty: on December 28, for example, the boy wakes up with the announcement that he is coming to visit him. mare, but when the sentiment of the age is troba només l’avi, rient i cridant “Innocentada!”; The next day, later, in Plaça del Poble, I saw some big children playing on the orthopedic bed of a boy from the group, who was trying to hide the jumps of the fan as he passed.
It does not bother him that the notes written by the protagonist, the trivial tales and the country of the temporary are in fact something indestructible, he does not bother that all the folds are mixed with the private imagination of the narrator and with the desire to take advantage of the class company that will summon the rocker to the hood, and that he once takes him to the fons d’un Pou, in addition to the ruixi with alcohol and venti. foc, and ended up killing many vegetarians.
Which captivates the most philadelsac They are the dark points from which the narrator escapes in the sense of searching – Hi Cap Interpretation: Who taught him to say “I love you” to the cry of the old cat lady’s house?, What did he say about Prudencia Mall, who always walks in a mood, angry and speaks alone?, What is the white house that at the burial of Lamadeo Mingajosos was in the front row and served with Mesa accompanied by two men dressed in black? Most importantly: In the end, does it go both ways or stay both ways? blessing philadelsac The important thing is that Bardera does not explain things, but only describes and narrates.
philadelsac
Damia Bardera
La Cigona Periferia
165 pages. 18 euros