Changes in the narrative and practicality of Millie II

to “Chaos architects“And modern political narratives, it may be advisable to re-read some studies about them Borges About him Quixote and Martin FierroThe author of Alif – without mentioning the exceptions that confirm the rule – acknowledges that the phrase “The sequels were never good“It is much more than a simple cliché. Borges asserts that the audience always “demands a feat that is not very possible: the repetition of astonishment. It wants to be astonished by the hero discovered in the first part, and it tolerates no change in the hero. It wants the same thing and wants the same thing to be different.” He adds that these narratorsThey must satisfy loyalty, but they must also provide news“.

This difficult literary mechanism is relevant at a time when the curtain was about to open on the second historical phase of the libertarians, and when Miley II. This is what is simmering in these blissfully boring weeks, characterized by latent negotiations at different levels and with unexpected interlocutors, by a very noticeable pause in the apparatus of digital repression and an apparent laziness in moving forward in the so-called “anti-globalization cultural battle”, which Instead of uniting its concerns, it multiplies the conscientious objectors and disperses the will to stand. The angry intruder who came to break everything has now changed into a new world RealpolitikWhat he lost on the one hand, he gained on the other hand We don’t know how long the mask will last and how the movie will continue.. There is a famous Aristotle saying: “The most difficult victory is victory over oneself.” The president, a machine for generating animosity, had no bigger enemy than his public persona during the first two years of his administration. This character, without losing his identity, seems forced to present new features and modify himself under a new social mandate: Judge seriously and do not judge by your motives, grudges, transgressions, and weaknesses. The narrative strategy of the hour, for the exception that Borges alludes to here, will consist of embodying the same “hero” to satisfy his heart’s steely loyalty, but at the same time being different in relation to the rest of the electorate, who He is not locked in the mental prison of fanatics. A delicate balance, something you can carefully calibrate Santiago Caputo. Because the conflict is clear: the first social mandate – aggressive, destructive and rebellious – coincided with the impudent, stormy and even extravagant personality. Role fitness On his own Javier Miley.

On the other hand, the mandate that emerged from the October elections forces him to go against his nature, to pay attention to his language and his mood, to suppress his lively nature on social media, to accept dialogue and pacts above and below the table, to give money, to recognize the legitimacy of the other, and to form parliamentary alliances that enable fundamental reforms and the possibility of governing without constant defeats or major shocks. This traditional statesman suit is no longer very comfortable for Assad, who prefers to repeat astonishment rather than purify his character or mutate a character. How it works Which was effective at first, but already seemed exhausted, although we remember: He has few alternatives if he wants to heed Washington’s practical and contradictory advice. Above all, if he aspires to be the undisputed leader of the anti-Kirchner movement, which consists of ordinary citizens of different ideologies, free thinkers who have serious objections to his style, his abuses, his rigidity, his Republican disdain, and some of the extremism espoused in the first part of the job. But this new demand emerging from the ballot box also directly or indirectly calls into question its economic orthodoxy: Milley cannot be a monarchist if he intends to represent the sentiments of his broader voters, many of whom are beginning to show concern over several hot-button issues: Argentina’s inability to defend at an international party where the masters of the world have decided to exercise rapacious protectionism, the subservience with which the libertarian government adheres to the desires of others, the refusal to plan profitable introductions (the best industrial policy is one that does not exist), and the unusual abandonment in terms of implementing measures that It is practiced by Trumpism itself, and the official certainty that its mission is limited to deregulation (because this act alone leads to heaven), and the inaction with which it notes the series of closures of small, medium and large companies, and the decline in employment: ten thousand empty jobs are lost every month, and although today’s technological revolution allows opportunities for survival, the psychological and social impact that this produces on individuals, their families and friends It multiplies and destroys. We should not be surprised, then, if victims refuse to vote for their perpetrators, and the opposition uses the abandoned flag, in a way that mirrors what the Kirchner doctrine did when it abandoned the value of security and order due to ideological biases. The gift was expensive and caused him a lot of headaches. It is the tension between the “primary financial and extractive model” and the “competitive productive model,” rather than the insidious combination of the two, that positions poetry on the side of those who have directly experienced forgetfulness and the consequences of transferability. Emotional memory works here for many; Any war veteran recognizes with anxiety and pain some moments of mass anesthesia: “Sweet Silver,” “Gimme Two,” and the festival of Chinese imports, which later brought so bad trouble to the economy and irreparable damage to the fabric of work.. Lessons learned are the Argentines’ specialty. Miley 2 will be defined, in large part, by the amount of flexibility and intelligence with which Darwin brings the market to these issues, followed by the “good guys” who are fond of comic revenge and creative reckoning, and tend to be “patriotic” only with the financial homeland. What’s at stake is nothing more and nothing less than breaking the old axiom according to which sequels were never good. Perhaps Javier Miley, who has achieved so much, will achieve this feat as well.