In the heart New YorkA new form of entertainment that changes the music experience: Concerts without a human performerThe music appears in real time through algorithms that interpret the mood of the audience. In these events, artificial intelligence analyzes faces, movements, ambient sound levels, and even keystrokes recorded by smart watches, to compose unique and adaptive pieces that turn every function into an unrepeatable experience.
This phenomenon is spreading through galleries and cultural centers in neighborhoods such as: Brooklyn, Chelsea and Queenssupported by advanced systems such as Eva, spread, Google is purple, Sono and harmony (consistent voice)In addition to models developed specifically for these environments. Fueled by vast sets of music data, these platforms use machine learning techniques and environmental sensors to create so-called “concert algorithms.” The result moves away from traditional diction and approaches an immersive and interactive installation, where the boundaries between viewer and work are blurred.
The popularity of these experiences responds to several factors. On the one hand, the democratization of AI tools has allowed the creation of complex music within seconds to be accessible to more people and spaces. On the other hand, the emergence of “immersive experiences” and interactive art has captured the attention of museums and galleries, which are looking for hybrid proposals at the intersection of art, technology and biometric data. Moreover, distrust of traditional “live streaming” and fascination with algorithmic composition have fueled curiosity about performances that are never the same: every AI-generated concert is, by definition, unique.
The economic impact of this trend is significant. according to Research and markets (2024), the market will go beyond artificial intelligence applied to music $3.3 billion in 2027. platforms like Sonu I and audio They are already producing millions of songs a month, which shows the scale of the transformation underway. studies MIT Media Lab Generative music has been shown to improve the sense of “flow” and emotional synchronization among those present, enhancing the appeal of these proposals.
Prestigious institutions such as Museum of Modern Art and Museum of the Moving Image (MOMI) They have integrated sound-based works and machine learning into their software, enhancing the artistic legitimacy of this type of experimentation. As the Museum of Modern Art puts it, “machine learning-based artworks challenge our traditional definitions of creativity and authorship,” according to its 2023 “Machine Art and Intelligence” show.
The operation of these parties depends on the ability of artificial intelligence to analyze and respond to human emotions. Rosalind Pickard, concept creator Affective computing At MIT: “Emotion-aware computing allows systems to perceive human influence and respond creatively,” according to the MIT website. This real-time interaction makes the audience co-creators of the experience, as the music adapts to collective changes in mood and energy.
The generative nature of music, which Brian Eno defined as “always different and changing music, created by a system,” according to an interview published in the journal Generative music1995 (reissued in 2020), here embodied in a collective and adaptable form. The MIT Media Lab highlights that “AI systems can analyze mood, tempo, and structure to create original pieces that adapt in real time,” according to the 2022 Interactive Music Report.
The music industry is watching this phenomenon closely, wondering whether these experiences can coexist with traditional performances. For many experimental and technical artists, these concerts represent an ideal laboratory, where music can be tailored based on heart rate, collective energy or even reactions on social networks. The audience, for its part, faces the paradox of enjoying a work without a visible human creator, raising questions about the nature of art, composition, and the future of live music.
How it was synthesized Guardian In 2023: “AI is not just a tool: it has become a collaborator in music composition and performance.”