Isabella Rossellini is the muse of some of the planet’s jewelry stores, but Rossellini, like all the greats, He does not announce anything outside of himself or hereBecause his fame is legendary. Each promotion is, strictly speaking, a place unto itself. … By the way, they kicked her out LancômeUnder the pretext that, at the age of forty, he “no longer represents the idea of youth.” This separation turned out to be a blessing, or almost. It would have sunk, but he used it to study biology, build a farm on Long Island, and reinvent what it was. “Learn to become who you are,” Pindar wrote, and this always worked for Rossellini. On that retirement farm, his most bizarre and delicious projects were born: “Green Porno”, “Seduce Me”, “Mammas”. We are faced with surreal monologues in which he played the role of animals, explaining their sexuality and rituals, with an elegant sense of humor and scientific accuracy that surprised even specialists.
Isabella was a worm, she was a peacock, she was a praying mantis. The expulsion of Lancôme was, in essence, the eternal Lancôme signature, because Rossellini is immortal in that spot, under the quiet elegance that she would bring to the full language of vulnerability in “Blue Velvet”. There, under the unreal light of David Lynch, he sang “Blue Velvet” as if he were committing suicide several times within the song. Rossellini, perhaps unwittingly, Create an attendance formThe woman who doesn’t act to be seen, but acts as if she sees something the rest of us miss. He has been continuing this way for decades, moving in and out of cinema, fashion, television, and even biology, with the same naturalism that changed his love, or his hairstyle.
She has the reach and prestige of a rare celebrity who is so by resonant lineage. Mother Ingrid Bergman. Father Roberto Rossellini. She married the young Martin Scorsese, that volcano, creative and otherwise, who baptized her into the world of American cinema, although her first manifestation of strength came with Clint Eastwood’s film “Hell of Cowards”, where Rossellini already showed the bond of firmness and tenderness that would later become her hallmark, her mark.
His career, viewed from above, consists of a choreography between auteur cinema, haute couture fashion, scientific oddities, and the occasional unexpected comeback.
And by Jonathan Wiedemann, who was handsome in trade, she had her daughter Elettra. Then he came David LynchWho just didn’t love her: I turned it into a symbol. Her career, from above, consists of a choreography between auteur cinema, couture fashion, scientific oddities, and the occasional unexpected comeback, such as her involvement in David O. Russell, or the series “Shut Eye”, where she was credited as a woman who still had the advantage of uncomfortable roles.
Unlike many actresses of her generation, Rossellini does not compete for roles. It turns out that the leaves go and find them. Naturally, he had already written his autobiography, and there he confessed his doubts, his wounds, and his loved ones, with a calm degree of delay where there was no justification. He insisted more than once on his shy nature, and that shyness has prestige among those who live in the work of the many crowds that inhabit us. She doesn’t usually talk about her beauty, and why, if she’s there, she’s looking at real and unreal newspaper archive photos. He was not looking for perfection but for honesty. The most famous, muse herself, Today he lives on a farmDoing cloud accounting.