In front of fifteen thousand people, Thomas Rebord explained what he wanted to say for the last time this year. The editorial format was a premise for a comedy special that was expected to be an impossible mystery to unravel until the moment the lights went out and Manu Goff appeared, playing Harvey Dent whose great dichotomy was infotainment, two sides of the duality with which the daily program Hay Something There viewed itself. The idea of the importance of information was corrupted in that first chapter by the advent of entertainment, in a sudden shift that revealed the damaged face of Two-Face. Thus, with a designed monologue, the second part of the Batman adaptation began, and the narration was chosen to shape the special. A few months ago, Ribord told PERFIL: “Even Gran Rex had everything more or less calculated. This (Movistar) is really crazy.” What he was referring to was the Rebord Says Things Tour, during which he toured the country, improvising monologues based on his reflections and events.
By communion. The Movistar Theater – before fifteen thousand people were live and thirty two hundred watched the show on YouTube – was a space to think about some topics; The most important ones were “Truth is Strange” and “Transcendence.” In a pendulum between philosophy and humor, the tour included a description of the strangeness of standing there. “Existence has never been as strange as it is now,” Rebor said. “Because attention is strange and fragmented. And culture too. Each person receives absolute customization of what they want to see on demand, the way they want to see it, separate from others, without the need to come into contact with other people, and only brought together through digital media. Humanity is fragmented, but also empowered.”
There was something about this appearance before the speaker that, for this particular community, was a display of presence, as a complement to what Ribor had made clear, and it was one of the few common-sense acts of the year. Because there is nothing strange about connecting to the screen to watch an entertainment program. Attending a place, touching elbows or knees, and chanting a more or less precise song are nothing more than signs of humanity. “Slowly, everything that made us human is being pushed into a different space. This is what allows huge events to exist that one has no idea about,” Rebor said on stage, moving toward a conclusion about the nature of his will, in this case closer to hacking into his character to better communicate with the rest rather than to be remembered. Perhaps this exhibition before the public is a sign of resistance to the advancement of individualism that suggests the disintegration of individuals and groups.
Authoritarians don’t like this
The practice of professional and critical journalism is an essential pillar of democracy. This is why it bothers those who believe they are the bearers of the truth.
The gang. “Throughout the proposed issue, almost all the highlights of ‘There’s Something There’ are shown, always embodying some character from the Batman universe. Juan Ruffo played Commissioner Gordon; singer Delom from El Acertijo, singing the show’s intro and theme song Buenos Tiempos; the arrest of Pedro Rosmblatt as the alleged guardian of Infotainment; the Hamlet appearances of the ghosts of Feo Sargente and Jorge Peranillo as Batman’s parents; and Juan Roco as Sergio Wayne, Bruce’s supposed uncle.
The durations of exposition revealed the structure of the narrative. The actions contained their decisions, giving rise to the metatext that generated the comedy. Everything seemed to be resolved, until the next conflict arose. If the entire work is presented as a tribute to Christopher Nolan’s Batman, the Joker cannot be missing and the person responsible for giving life to the antagonist is Gael Aquino, another of Blinder’s characters. In the end, Commissioner Gordon concluded that just as the public waits for their heroes every day, they also wait for the audience to show up. Already excited, he finished the show before Rebord Rea appeared in civilian clothes.
an offer. Before the Batman adaptation began, Thomas Rebord called on the audience to believe. A directive that can be applied to any form of imagination, and if followed, perception can expand. Suspending the mind and trusting the suggested path to surrender to pleasure is a magic available in any corner of the world. The Success of “There’s Something” There’s nothing foreign about this act of faith.