After burglars broke into the Louvre in October and stole crown jewels worth about $100 million, museum management said they entered undetected because a key security camera was pointed in the wrong direction. But investigators from the French Ministry of Culture discovered that the thieves’ entry had indeed been recorded.
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The real problem, investigators told a French Senate hearing Wednesday, was that security guards in the museum’s control room were taking too long — up to eight minutes — to switch to the live feed.
When this happened, the thieves were already fleeing, investigators said.
This discovery increased scrutiny of the security breaches that led to the theft. It is one of several new revelations presented during the hearing, which have reignited calls for the resignation of Laurence des Cars, the director of the embattled museum.
Des Cars told the same Senate committee in October that the invasion was not filmed, repeating that explanation in an interview last month with The New York Times.
Theft from the Louvre: Find out which French royal jewels worth millions of euros were stolen in a seven-minute action
Thieves used a crane to break into the museum and made off with the relics
The Louvre declined to comment.
The researchers also concluded that:
- Police and security officers arrived at the scene of the break-in 30 seconds after the thieves fled. Several errors prevented them from arriving a few minutes earlier.
- Museum officials gave officers the name of the long, narrow room where the jewelry was stored, but did not specify which end of the gallery they should go to.
- As a result of the employees’ mistake, police went to the wrong side of the building and had to turn back when they realized their mistake.
- Two previous audits identified museum security issues in 2017 and 2019, but the findings were not communicated to Des Cars and her team when she was named director in 2021.
From the hidden room of the Louvre to the rock collection, three little-known museums to visit in Paris
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The beautiful interior of the prints and drawings consultation room at the Louvre Museum in Paris — Photo: Dmitry Kostyukov/The New York Times
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The facade of the wing of the Louvre Museum where the prints and drawings consultation room is located, a little-explored part of France’s most famous museum — Photo: Dmitry Kostyukov/The New York Times
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The marble bust “Medusa”, by the Italian Gian Lorenzo Bernini, is part of the exhibition in the consultation room of engravings and drawings of the Louvre Museum, in Paris — Photo: Dmitry Kostyukov/The New York Times
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A 16th-century engraving by artist Baccio Bandinelli is on display in the consultation room for engravings and drawings at the Louvre Museum in Paris — Photo: Dmitry Kostyukov/The New York Times
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Visitors wander among the exhibits at the Musée d’Ennery in Paris — Photo: Dmitry Kostyukov/The New York Times
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The facade of the Ennery Museum, housed in a 19th-century mansion near the Bois de Boulogne, in Paris — Photo: Dmitry Kostyukov/The New York Times
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Part of the Asian art collection at the Musée d’Ennery in Paris — Photo: Dmitry Kostyukov/The New York Times
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Visitors to the Mineralogy Museum of the École des Mines de Paris, which has more than one hundred thousand objects, of which five thousand are on display — Photo: Dmitry Kostyukov/The New York Times
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Coming from South Africa, the diamond embedded in volcanic rock is one of the highlights of the collection of the Mineralogy Museum of the École des Mines de Paris — Photo: Dmitry Kostyukov/The New York Times
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The emeralds that once adorned the crown of Emperor Napoleon III are also part of the collection of the Mineralogy Museum of the École des Mines de Paris — Photo: Dmitry Kostyukov/The New York Times
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Part of the five thousand objects on display at the Mineralogy Museum of the École des Mines de Paris — Photo: Dmitry Kostyukov/The New York Times
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Visitors to the Mineralogy Museum of the École des Mines de Paris, which has more than one hundred thousand objects, of which five thousand are on display — Photo: Dmitry Kostyukov/The New York Times
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The capital of France is known for its wide range of cultural attractions, including free entry
The findings have deepened the sense of crisis at the museum, where employees from three unions are expected to begin a multi-day strike Sunday evening to protest what union leaders describe as an “increasing workload,” confusion between instructions from museum management and an unresponsive management style.
The threats of closure came days after the museum admitted that up to 400 documents in its library of Egyptian antiquities had been damaged by a water leak.