THE Association of Cinema Screenwriters of Andalusia -Asecan- This afternoon he delivered the 38 Asecan Prize for Andalusian Cinema at the Royal Artillery Factory of Sevillean environment which this year hosted the traditional prizes which reward the work … and Andalusian audiovisual works each year.
With the sponsorship of Seville City Hall, the collaboration of the SGAE Foundation, the AISGE Foundation and Cibeles Triana; and the support of EGEDA, Black Vega and Agape Catering, the Asecan Awards brought together the sector for a lunch, now traditional at Christmas, during which the 2025 film harvest was celebrated.
This year the awards ceremony had as protagonist the Sevillian filmmaker Pilar Távorawho received the Asecan Honorary Prize from the hands of the president of Asecan, Lourdes Palacios, and the vice-president Miguel Ángel Parra, a distinction that recognizes her long career as one of the most singular, coherent and committed creators of Andalusian audiovisual.
The Asecan Film Prize was awarded to ‘Blows’ of Rafael Cobos for Vaca Films and Grupo Tranquilo PC, which also collected Asecan Direction Novel. Likewise, the Asecan Prize for Cinematographic Achievement was awarded ex-Aqueo to Alberto Rodriguez by ‘The Tigers’ and Fernando Franco for ” Basement “.
For its part, the series “Anatomy of a Moment”created by Alberto Rodríguez for DLO Producciones, broadcast on Movistar, won four awards: he Asecan Seville Film Office TV Seriesas well as the Asecan serial address for Alberto Rodriguez and Paco Banoshe Asecan Series Script ForRafael Cobos, Fran Araújo and Alberto Rodriguez; and the male interpretation Asecan AISGE for Álvaro Morte.
In this last category, AISGE Female Actor Prize was delivered ex-aequo to the Sevillian actresses Ingrid Garcia Jonsson for his leading role in “Superestar”, a series Nacho Vigalondo for Netflix, and Paula Diaz for his work in “The Heaven of the Animals” by Santi Amodeo.
The documentary “A free man” of Laura Hojman for summer movies It is another of the titles with the greatest number of awardswinning the Asecan Non-Fiction, the Asecan Film Script for Laura Hojman and María D. Valderrama, and the Asecan Original Music for Elena Córdoba (Pagan Bride).
Meanwhile, the Asecan Award for Original Song picked it up Rocio Marquez, Birane Wane And Canito by ‘Yilma’ the main theme of “Senegal, a dream of return” by Marcos Gualda.
This year, once the category is divided, the Short film Asecan was for “The chestnuts”of Simone Sojofor the TeKiero collective; and the Asecan non-fiction short film was for “Las malas”, by Elisa Moreno for Andalucía Multimedia.
Recognizing talents in all formats of audiovisual creation in Andalusia, the Asecan Price Other Formats came across the podcast Arturo Hacha for NeoFM “It’s dark, which is not a bit‘.
Already in the most traditional categories of Asecan, the Juan Antonio Bermúdez Informative Work Award the actor and communicator takes it Brute Pomeroy; he Juan Antonio Bermúdez Prize for the diffusion of cinema in Andalusia These are the Higher School of Cinema and Audiovisual of Catalonia ESCAC; and the Asecan Movie Bookthis year it is awarded to “Sex and the history of communication”‘, coordinated by María del Mar Ramírez-Alvarado in the Tirant Humanidades editorial.
In this edition of the ASECAN Awards, a total of 331 applications were received, including 176 for individual categories and 127 for collective works, highlighting among the latter 17 feature-length fiction films, 27 feature-length documentaries and 61 short films.
The award ceremony of the 38 ASECAN Andalusian Audiovisual Awards was sponsored by the Seville City Council, with the collaboration of the SGAE Foundation, the AISGE Foundation (Society for the Management of Artists, Performers) and Cibeles Triana; and the support of EGEDA (Audiovisual Producers Rights Management Entity), Black Vega and Agape Catering.
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